I'm going to get carpel tunnel syndrome from writing this critique (because there's so much to comment on, what were you pervs thinking). I am constantly saying that your work out does itself and that I can't imagine how you could improve. Then you go ahead and out do yourself again. It's like you're evolving at a frightening rate. But enough vague compliments, it's time to get to the specifics.

Let's start on the actual framing of this image, something I've never commented on before. The size of the frame was perfectly cropped, you were able to cut it off at her bottom cheeks while still keeping her actual torso and head as the center of the picture. That way in the first image, where she's clothed, even though I'm sure many viewers went to the butt instantly, you were able to frame it as though Bianca herself was the most important thing in it. But like I said, you still kept it so that her entire rear fit in there, that way you were able to have the clothed image framed perfectly so the focus is on her, but left enough space so that in the exposed portrait we still see the all of her backside which is what the POV is clearly looking at. And you filled in the excess space above her head very well. Excess space can kill a great drawing, but the way that you bent the lines of the wall, ceiling, and the chalkboard, made sure they almost curved in just the right ways to fill out that space. Also the curve of the ceiling and board match the theme of the curves of her body, with any other artists I'd say it was a lucky accident, but I believe you planned that. The curvyness is also true for her hair, it has a perfect amount of bounce to it that goes hand in hand with her curvy figure.

And speaking of her figure, it always amazes me how you can take a character with such exaggerated and almost cartoony proportions, but then add thing that create a sense of realism. The shading is the most obvious thing I could mean by this, I compliment you on it in every picture but it really does help to add realistic light sources and give us a sense of how their bodies are shaped. But also, the small folds that you put in their figures also blows me away, you are truly an amazing student in the art of knowing the human body if you can create these kinds of realistic weight distributions without a model to work off of. Just to give you an example of what I mean, there's a fold between her breast and arm in the exposed pic, and not only is it a very rational place for a fold to exist, but the way you had the bra stuck in that fold is so realistic.

And while I'm on the subject of your amazing details, just look at that book and that chalkboard. The silhouettes that you put in the book could have been a quick throwaway, just a "yeah just put something in there" but I can tell by looking at it that even a detail as small as that, you actually strived to make it look aesthetically pleasing. And the words you inserted in that book, I can't get over that you painstakingly went to the effort of putting in the actual text from the book. It's so small that no one will be able to read it, yet you put it in there anyways. That's what a true artist is to me, someone who creates art even when they know no one will see it, simply because they feel it should exist.

And before I finish, I have to comment on that shading and blur effect. First off, in the clothed picture, the shade of red you put in her cheeks simply looks like a bit of heat going to her face, maybe overworked or just makeup. But it doubled in the exposed pic to have a second meaning, making it look exactly like she was blushing. Once again, most artist would have that just be a lucky accident, but I know you worked hard to get it so it worked in both pics. And of course let me mention the haze you put in the exposed pic. It perfectly captures that day dream sense of reality, but you made sure to clear it up around the butt so we know what this person is focusing on. And you enhanced this dream state by blurring the words on the blackboard to the extent where we could still barely read them, like we were reading in a dream. I also loved how you didn't blur her face much so we could still see it, but left it slightly blurrier than the rear. Just to further point out what this person is really staring at.

I want to tell you that this is your best drawing yet, but I can't. Simply because you do so much incredible work that picking one to be the absolute best is impossible. However, if someone were to do that, this would certainly be in the running. I cannot imagine how you can get better, but then again I've said that before.